Please click HERE for information on the new Vetta II

ATTENTION:

I have double checked, and all the following information regarding the original release of the Line 6 Vetta still applies to the newer version - the Vetta II. The main difference is that Line 6 has re-named most of the amp/cab/fx models in the Vetta II - otherwise, everything is the same.

VETTA AMP MODELS

VETTA EFFECT MODELS

VETTA CABINET MODELS

STOMPBOXES - DISTORTION

based on...

1x8  

STOMPBOXES - MODULATION

STOMPBOXES - DELAY

A.I.R. II Mic Options

STOMPBOXES - DYNAMICS

(A.I.R. II only affects the direct out signals)

POST EFFECTS - REVERB

POST EFFECTS - TREMOLO

POST EFFECTS - EQ

Graphic EQ -

(4-Bands @ 80Hz, 200Hz, 800Hz, 3kHz)

4-Band  EQ - (High/Low Shelving EQ +

two bands of fully parametric EQ)

POST EFFECTS - MODULATION

POST EFFECTS - PITCH SHIFT

POST EFFECTS - DELAY

 NOISE GATE - (pre-everything)

POST COMPRESSOR

EFFECTS LOOP

DOUBLE TRACKER

Since the Vetta features the ability to use two totally independent amp models at the same time, the Double Tracker provides you with the ability to "simulate" the effect of two separate guitarists playing back the same part simultaneously (through each separate amp model)...but with the inherent timing, pitch, and dynamic differences that each player would have. The effect can be more than subtle, and definitely helps increase the depth/size of your tone.

The Vetta gives you three re-routable internal STOMPBOXES 1, 2 & 3 which can be assigned to be any of the numerous effects listed here. Any stompbox can feed AMP1, AMP2, or BOTH.

The A.I.R. II on the Vetta is actually three "classic" virtual modeled microphones (see pics) with two settings each.

These "ONLY" affect the direct outputs and have no affect on the signal that is going to the Vetta's speakers...anyone can verify this themselves by playing thru the Vetta Combo and scrolling thru the different virtual mics...you will not hear any tone change coming out the Vetta's speakers...which would make sense, since you typically mike-up a cabinet to record it, so obviously Line6 has already included the virtual-mics for you., which is really cool!

Shure SM-57

Shure SM-57 (Off Axis)

Sennheiser MD-421

Sennheiser MD-421 (Off Axis)

Neumann U67

Neumann U67 (Off Axis)

As far as the assignment of expression pedals, you can use the FBV Longboard's two foot pedals...or use an external midi foot controller that supports two "assignable" expression pedals, (such as the Behringer FBC1010 or Ground Control), any MIDI CC 1 message recieved at Vetta's Midi In port will adjust the PEDAL 1 assignment, and any MIDI CC 2 message will adjust the PEDAL 2 assignment. You are limited in what can be assigned to be controlled:

The LEFT PEDAL can "only" be assigned to: WAH or Pedal 1.

As Pedal 1, you can then route it to one of the following destinations:

Stompbox 1 Mix/Level
Stompbox 2 Mix/Level
Stompbox 3 Mix/Level
Tremolo 1 Depth
Tremolo 2 Depth
Loop Mix
Pitch Shift Mix
Post Mod Mix
Post Delay Mix
Reverb Mix
Post Mod Speed
Post Delay Time

The RIGHT Pedal can "only" be assigned to: Volume or Pedal 2.

As Pedal 2, you can then route it to one of the following destinations:

Stompbox 1 Mix/Level
Stompbox 2 Mix/Level
Stompbox 3 Mix/Level
Tremolo 1 Depth
Tremolo 2 Depth
Loop Mix
Pitch Shift Mix
Post Mod Mix
Post Delay Mix
Reverb Mix
Post Mod Speed
Post Delay Time

The FBV Shortboard Foot Controller can be used with the:

Vetta Combo, Vetta HD, DuoVerb, PODxt, or Flextone III.

The Vetta allows you to use up to three stompboxes, which can be assigned to "any" of the STOMPBOX EFFECTS listed above. They can all be different, or if you so desire, you can assign each stompbox to be the same effect, such as a having three Tube Screamers, each with different settings. 

Remember, they can be placed in any particular order, not just 1>2>3, and the positions are saved for each patch you create. For Line 6 programmed sounds, normally stompbox 1 will be a distortion effect, stompbox 2 a modulation effect, and stompbox 3 a delay effect. If you'll look at the image to the left, the small grey outlined boxes show nine different locations which the three stompboxes can reside.

The image you see above shows the actual recorded waveforms of the first five factory patches of the Vetta Combo as they have been stepped through using the FBV Foot Controller. The white gap you see between each of the patch waveforms is the amount of time in milliseconds (shown in red) that it takes the Vetta to switch between patches. The times do vary, and what you see printed in red are the actual measured gap times. The times are all small enough that switching between patches still sounds near-instantaneous. Therefore, please do not let this patch switching gap be of concern to you as far as live performance goes.